There are some great UX/UCD resources online — my favourites to date have been Service Design Tools and more recently UX Mastery. But today I was knocked out by the phenomenal effort to define and encapsulate design research activities in a cohesive project framework. It was all revealed by a rather innocuous tweet that did not quite foretell the brilliance ahead.
The CFC Medialab in conjunction with Professor Suzanne Stein of OCAD University have produced a comprehensive user research and design resource for the UCD community. Unsurprisingly hundreds of people were involved in the creation of this repository. Go check it out: http://designresearchtechniques.com/#/
The first event will be an introduction to Social Design which promises case studies where design methods and co-design have been applied to such contexts as Corrective Services and aboriginal health on North Stradbroke Island. The second round covers co-design and local government and there is a wrap-up night as well.
I had the privilege to work on a succession of projects relating to the staff experience at my time at Different. My colleague Christian LaFrance presented some of the learnings from these projects and a few others undertaken by the team at the recent Service Design Network Global Conference in Paris (28-30 October, 2012) and he has shared his presentation on Slideshare. Many of these projects involved a participatory design approach to achieve change that took employee needs into account and that was employee led.
Where have I been all this time that Design Thinking has been meeting? I have no context to this event, other than to say that more events were promised, which going by this week’s standard can only be an awesome thing.
Getting to sticky beak at Digital Eskimo’s oh so cute offices.
The Eskimos! Despite the mandatory photo on entrance (that was like a border crossing!) the Digital Eskimo guys were the most hospitable folks ever. Wine in hands, snacks in sight, they were ever so lovely and chatty hosts. The photos did come out nice though.
The suggestion that banks, who have to face the sensitive issue of money that no one likes to talk about, can learn from sexual health, something else people don’t like to talk about.
Now to the talk! Penny Hagen presented on her doctoral paper: Social technologies, participation, design methods. The central question being how to support and frame participation in the design process when using social technologies? The social technologies in question are the usual suspects: Twitter, Facebook, YouTube, blogs, etc. And you can guess that if people are participating in the design and/or research process using these methods that the design process is in the “wild”, so to speak. The sticky issue is that design practice and research are public but the advantages are a “design that emerges through use, which is hard to simulate in the studio”.
Available examples of “design in the wild” exist: Threadless, the P&G open initiative, Crowdspring, 99 designs and more. But what of the crowd? How can it be harnessed so design by community doesn’t become design by committee? Penny outlined two models to describe this design process:
Iterative is what we have seen with the continuous Google beta launches and subsequent product improvements. Emergent is the evolution of the design through use and prototype. Interestingly the latter model was described as not necessarily having to illicit requirements at the start of the process. If I understood it correctly (please correct me if I am mistaken in the comments), the design process can begin by prototyping with an existing and available technology, to address the design problem and see how people use it.
Keen to see how they could adopt a more experimental approach the audience discussion centred around how to convince clients to let them get away with an approach that, at the outset, may not have a defined process let alone a predictable outcome. Unfortunately I missed the second discussion and the playtime at the studio afterwards. Thankfully, another event is promised in April at the Arthouse.